Neorealist portrayal of refugee children in Capernaum (2018)
Yazarlar (1)
Doç. Dr. Rahime Özgün KEHYA Kafkas Üniversitesi, Türkiye
| Makale Türü | Özgün Makale (ESCI dergilerinde yayınlanan tam makale) | ||
| Dergi Adı | Journal of Arab and Muslim Media Research | ||
| Dergi ISSN | 1751-9411 Wos Dergi Scopus Dergi | ||
| Dergi Tarandığı Indeksler | Scopus | ||
| Makale Dili | İngilizce | Basım Tarihi | 05-2024 |
| Kabul Tarihi | – | Yayınlanma Tarihi | 01-04-2024 |
| Cilt / Sayı / Sayfa | 17 / 1 / 93–111 | DOI | 10.1386/jammr_00075_1 |
| Makale Linki | https://doi.org/10.1386/jammr_00075_1 | ||
| UAK Araştırma Alanları |
Film Eleştirisi
Sinema ve Estetik
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| Özet |
| This article explores the social and form-related similarities and differences between the film Capernaum and Italian neorealism, focusing on the portrayal of refugee children. The Syrian Civil War has displaced millions of people, and children who have sought refuge in Syria’s neighbouring countries, such as Lebanon and Turkey, have become victims of poverty and moral degeneration. Similarly, the Second World War left children orphaned and many harsh realities emerged, such as child labour, delinquency, abuse and neglect. The Italian neorealism movement highlighted post-war issues such as these in cinema. Capernaum reflects the new realities of the Syrian Civil War as sociological concepts, such as forced migration due to war, extreme poverty and the victimization of children. This film is important because of its power to generate empathy and (pro-)activism. With an analysis of the mise en scène and … |
| Anahtar Kelimeler |
| Arab media | children and media | forced migration | Italian neorealism | Lebanese films | poverty | Syrian refugees |
BM Sürdürülebilir Kalkınma Amaçları
| Atıf Sayıları | |
| Google Scholar | 1 |