| Yazarlar (1) |
Rahime Özgün Kehya
|
| Özet |
| Labour migration from Turkey to Germany has been an essential social-cultural phenomenon since the 1960s. Among the discourses on the feminine aspect of migration, there have been depictions of the sexual reputation of Turkish migrant women. Thus, it is necessary to analyse the portrayals of “emigrants” in audiovisual platforms in the country of origin (Turkey) that encode, decode, and recode gender alongside those in the host country (Germany). This discourse analysis-based study discusses the (re-)construction of the sexist immoral image by focusing on the reception of a young Turkish migrant woman (Shirin) pushed into prostitution in Shirins Hochzeit [Shirin’s Wedding]. Portraying labour exploitation, women’s solidarity, forced marriage, rape, male violence, and prostitution, the film tells Shirin’s story of escaping from Turkey to Germany and the problems she faces due to patriarchy, misogyny, and … |
| Anahtar Kelimeler |
| Kitap Adı | Immoral image of emigrant women: A distanced-marginalised self? |
| Kitap Türü | Araştırma/Bilimsel Kitap (Tez Hariç) |
| Kitap Alt Türü | Alanında uluslararası yayınlanan araştırma/bilimsel kitap |
| Kitap Niteliği | Diğer uluslararası bilimsel kitap |
| Kitap Dili | İngilizce |
| Basım Tarihi | 01-2025 |
| ISBN | 9781003431855 |
| Basıldığı Ülke | İngiltere |
| Basıldığı Şehir |
| Atıf Sayıları |
